What
a nice time I had at the Barnes and Noble book signing event! The B & N store manager announced me
twice over the 2 hours, which sent people over to my table. I met some
wonderful people and sold 8 books, including two to a father who wanted
his young daughters (who were quite polite and asked me interesting
questions, I must add) to read my story. He also said he wanted them to
be sure to share what they learned in school. They even shook my hand
and told me what a pleasure it was to meet me. Wow.
Next, a young woman came to talk to me. She told me she was in training to become an EMT. After talking for a while, she picked up my book and read the back. "You were 20 when you started? I'm 20..."
She bought my book and said she needed to think about the possibility of trying out wildland firefighting. Excellent!
Finally, when I was ready to leave, the store manager expounded on how wonderful he thought my book was, and that he wanted me to sign 10 remaining copies to put on their shelf for autographed books. How exciting!
All about wildland firefighting tools
Wildland firefighters have always carried far less gear than
those who work for city fire departments. There are at least two reasons why.
First, wildland fires are usually in remote locations, requiring either long
hikes, helicopter transport, or parachuting in. All of these methods require
that weight and gear are kept at a minimum. Second, unlike a structure fire
which might take hours to put out, forest fires can takes weeks, if not months,
to be considered truly “out.” Carrying enough supplies for that long of a
period is impossible.
My first fire season in 1976, protective gear consisted of
only a shirt made of fire resistant Nomex fabric, goggles to protect our eyes
from debris, a metal hard hat (even though lightweight fiberglass was
available, it wasn’t melt-proof), leather gloves, and leather work boots with a
minimum 8” top and no steel toes. Steel-toes were not allowed because if you
stepped into a bed of hot coals, the steel would transmit the searing heat to
your feet, and would continue to do so even after you moved, resulting in
serious burns.
| Nomex fire shirt |
It wasn’t until 1977 that wearing both Nomex pants and shirts
became mandatory even when not working on a fire. No one on my crew, including
me, wanted to wear Nomex clothes because they didn’t breathe well in the summer
heat, but we had no choice. Also introduced that summer, was the first fire
shelter, which we also protested. Not only did we not want the extra weight,
but we didn’t believe they would work.
The first fire shelter, still in use today, resembled an
aluminum foil pup tent. The idea of the shelter was to save our skins should we
be entrapped by flames. However, the shelters were by no means failsafe. In
light fuels, such as a grass fire, one might survive with minor burns on elbows
and feet, but in heavy fuels, such as thick brush or timber, that would be the
least of your injuries. In cases such as these, fire burns up all of the oxygen,
suffocating you, or your lungs burn from the superheated air. Not a pleasant
way to die. Here's a video of fire shelter deployments:
Because of the 2013 tragedy of the Granite Mountain 19 Hot Shots,
where 19 men all died while in their shelters, new fire shelters are now under
development. However, the prototypes are a problem. For shelters to be more
effective, they would weigh far more than anyone would want to, or could,
carry. Most firefighters interviewed about whether or not they would carry
these new shelters say they would not, and would prefer to take their chances
with the older version.
Firefighting hand tools used then remain the same ones used
today: The Pulaski, shovel, McLeod, and backpack pump.
![]() |
| Firefighter building fireline with a Pulaski |
The Pulaski, invented
by the early forest ranger, Ed Pulaski, is a combination hoe and axe. Weighing
in at about 8 lbs, this tool is often the preferred fireline building tool
because of its multi-functionality.
A firefighter’s shovel is not an everyday garden shovel.
This version has a shorter handle to make it just as useful to scrap the ground
to remove flammables as it is to shovel dirt. To further set it apart from a
garden shovel, the lip is sharp in order to cut small roots when clearing line.
A McLeod is a heavy-duty rake with a broad hoe opposite the
tines. This tool is best for scraping pine needles and the duff underneath,
limiting its usefulness.
The backpack pump (aka bladder bag, piss-pump) is handy for
putting out hotspots, but a royal pain in the rear to carry, especially in
steep terrain because the water inside wants to follow gravity, pulling you
downhill, making walking on steep terrain a challenge.
While not a hand tool, I’m often asked about slurry, also
known as fire retardant. Slurry is basically a mixture of water and fertilizer
used to aid in fire suppression. What many people don’t understand is that
slurry does NOT put out a fire. Its main purpose is to dampen flames in order
for fire crews to be able to move in closer and build line. Without hand crews
ready to jump in, the water evaporates quickly, and the fire moves on to new
fuel. The purpose of the fertilizer is solely to aid in the regeneration of new
growth after the fire is out.
How to find a small publisher for your book
Do you want to find a literary agent to get your book published? That's what I wanted. But after reading close to 100 rejections, my tenacity started to waiver. Most of the time, I heard nothing but crickets, but when I did hear from an agent I'd queried, I heard:
“Your story didn’t grab me in the first page.”
“It’s not right for our
agency.”
"The memoir market is flooded."
“Memoirs are too hard to sell
unless you are famous.”
I knew there were other options,
such as self-publishing (where you bear all of the publishing expenses) or
hybrid publishing (where you share in the publishing expense). However, in both
of these cases there is a huge financial risk. You may not ever come close to
recouping your investment. Frankly, I could not afford to do either of those
options. I also believed it was important to be vetted by the industry.
Because I wanted to stick with
traditional publishing, I took a different approach. I decided to look into
small publishers (aka small presses).
I’m going to discuss
the steps to finding a small press, but first, let me dispel some myths:
MYTH #1: Small publishers
require agent representation.
No,
they do not require that you have an agent.
MYTH #2: You won’t need a
professional query letter or book proposal.
Just
like with agents, you will need a query letter and you may need a book
proposal.
MYTH #3 Small publishers will
charge a reading fee.
If
they do, pass. There are plenty that don’t. Also, I’d be leery of anyone that
asks for money upfront. (See Myth #4.)
MYTH #4 You will have to pay to
publish with a small press.
If
they ask you to pay, this is not a traditional publisher. While the publishing
world is changing, at this point in time, publishing with a small press does
not cost you a dime.
MYTH #5 Small presses don’t do
anything to help you market your book.
The
reality is no matter how you publish, you will be involved in the marketing
process. How much your publisher participates varies, but in reality, it's pretty much going to be your job.
OKAY, SO HOW DO YOU FIND A SMALL
PRESS?
1.
Querytracker.net has both agent and small
press listings. It’s a free service, and the website keeps track of queries for
you.
2.
Another great resource was Poets and Writers. (pw.org).
This is where I found my publisher.
3.
University Presses. They often have narrow
interests, but if your book fits, why not?
QUERYING
ALWAYS read requirements for submission before sending a darned
thing! Just like with literary agents, the requirements vary. I found that 50%
of the agents and publishers I queried wanted a book proposal. Be prepared. You
don’t want to be writing a 40 page book proposal at the last minute.
EVALUATE
How do you know if the publisher
is legit?
Literary Agent Janet Reid’s blog* (if you don’t know of her, do check her out) has this helpful info on how to
evaluate a small publisher:
1. Ask to see the boilerplate contract. A
Google search will provide all kinds of articles to read about red flags in
contracts.
2. Ask if the terms are negotiable. Can you delete,
amend, or add clauses and/or change royalty rates? If a publisher says s/he
doesn't negotiate, you've got a big red flag.
3. Look at the books they're publishing. Do they
look professional? Or cheap and poorly designed? Trust your instincts here on what
does or does not seem quite right.
4. Can you only purchase books through the
publisher's website? If the only way to buy books from this publisher is
on their own website, that's a problem. Also check:
A. Are books for sale on Amazon and Barnes and Noble.com?
Verify by checking the list prices.
B. Are the books listed at Ingram and Baker & Taylor? If they're not, your chance of getting into bookstores and libraries other than as a special order is practically zilch.
A. Are books for sale on Amazon and Barnes and Noble.com?
Verify by checking the list prices.
B. Are the books listed at Ingram and Baker & Taylor? If they're not, your chance of getting into bookstores and libraries other than as a special order is practically zilch.
5. What about book pricing?
Are hardcovers over $25.00?
Are trade paperbacks over $15.00?
Are Ebooks over $9.99?
Overpriced books are a problem.
Are hardcovers over $25.00?
Are trade paperbacks over $15.00?
Are Ebooks over $9.99?
Overpriced books are a problem.
6. How long has the publisher been in business?
You do not want to be first. Even being in business less than five years is not good. This industry requires many years of experience to do things right.
You do not want to be first. Even being in business less than five years is not good. This industry requires many years of experience to do things right.
7. Does their website focus on writers or readers? A
publisher should be focused on books. If the website is more about how to
become one of their authors, how to query etc, that's a problem.
*Sadly, Ms. Reid passed away not too long ago. The last I checked (Feb. 2025), her blog is still up. If you discover otherwise, please let me know and I will remove this link.
ONE LAST SUGGESTION BEFORE YOU
ACCEPT:
When a publisher
made an offer, I contacted some of their authors and asked:
“How did you like working with
this publisher?”
“Did they let you participate in
the editing process, or force edits on you?”
“Did you have a say in cover
design?”
“Did they work with you in
marketing your book?”
All were quite willing to share
experiences.
I had two small publishers make
an offer on my memoir. After carefully evaluating each one, and corresponding
with some of their authors, I chose Bedazzled Ink Publishing in California.
It had been a dream of mine to
land an agent, but it didn’t work out. However, it had also been important to
me to publish traditionally, and I did. I’m pleased with my book cover design,
but felt the editing process could have been better. Only time will tell about
the marketing aspect. Despite those issues, I still would not have published
any other way. All of the rejections I received forced me to not only take a long hard look at the quality of my writing, but to work harder at making my story the best it could be.
Oh, and as a side note, whatever you do, don't get sucked into a vanity publisher. First off, vanity publishers are unlikely to provide wide distribution or marketing. There's no reason to be bothered! They make their profit by overcharging YOU. It's hard enough to make back what you could spend self-publishing, but trust me: you will never make back your money if you go with a vanity publisher.
My advice is no matter what route you decide to take, don’t give
up. I think many authors give up too soon. I also think many rush to publish before their book is ready. It’s not an easy road to
publication, but with determination and persistence, it IS possible.
UPDATE: So how did my marketing go? If you'd like to know, check out my recent guest post on book promotion.
UPDATE: So how did my marketing go? If you'd like to know, check out my recent guest post on book promotion.
Reading and Book Signing at Penegrine Books in Prescott, AZ
I had a wonderful time in Prescott, talking about my book and the challenges of wildland firefighting last Saturday!
Bone-chilling song about early firefighting
In 1949 the Mann Gulch Fire claimed the lives of 13 men...an amazing song by Richard Shindell, documenting early firefighting before fire behavior was understood.
Book signing event in Bisbee, Arizona
What a great time I had signing my book in Bisbee, AZ yesterday! Okay, so I only sold 4 books, but out of the 4, 3 were purchased by men, and two of those men made a special trip to meet and and buy a signed copy.
Why is this a big deal? Because it's a fact that women read more than men, and women also read more memoirs. I'm delighted that men are interested in my story!
Why is this a big deal? Because it's a fact that women read more than men, and women also read more memoirs. I'm delighted that men are interested in my story!
Speaking engagement at the San Diego Memoir Writers Association
On Saturday, May 5th, I sat on a small panel to discuss the option of finding a small publisher instead of a literary agent, self-publishing, or using a hybrid publisher. Over 40 people attended. I'm so honored to be able to share my publishing journey with those either beginning their own journey, or hoping to some day embark!
What is it like being one of the first women on a Forest Service fire crew?
That was the question posed to me when I was asked to write an article for the blog "Women of 2018." I am honored to be featured there today.
My interview on eBook Showcase
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